Mar

  • Thu 11 Mar 7.30pm
    Newcastle City Hall, Newcastle
  • Sat 13 Mar 8pm
    Canberra Llewellyn Hall, ANU, Canberra
  • Sun 14 Mar 2.30pm
    Canberra Llewellyn Hall, ANU, Canberra
  • Mon 15 Mar 8pm
    Canberra Llewellyn Hall, ANU, Canberra
  • Tue 16 Mar 8pm
    Adelaide Town Hall, Adelaide
  • Wed 17 Mar 8pm
    Perth Concert Hall, Perth
  • Sat 20 Mar 8pm
    Sydney - City Recital Hall Angel Place, Sydney
  • Sun 21 Mar 2.30pm
    Sydney Opera House, Sydney
  • Mon 22 Mar 8pm
    Brisbane - QPAC Concert Hall, Brisbane
  • Tue 23 Mar 8pm
    Sydney - City Recital Hall Angel Place, Sydney
  • Wed 24 Mar 7pm
    Sydney - City Recital Hall Angel Place, Sydney
  • Thu 25 Mar 7.30pm
    Wollongong - Illawarra Performing Arts Centre, Wollongong

ACO Soloists Five Concertos

Helena Rathbone Guest Director and Lead Violin
Christopher Moore Viola
Timo-Veikko Valve Cello
Maxime Bibeau Double Bass
Diana Doherty Oboe

VAUGHAN WILLIAMS Oboe Concerto
CPE BACH Cello Concerto in A minor
SCHREKER Intermezzo and Scherzo
HINDSON Crime and Punishment (2010 Barbara Blackman Commission)
BRITTEN Lachrymae
JS BACH Concerto for Violin and Oboe

Concert Program PDF

Hear why the ACO is known as an orchestra of soloists as the Principals introduce you to a few of their favourite pieces.

“CPE and ACO are synonyms for me.” says Principal Cello Timo-Veikko Valve. “The Cello Concerto is non-stop fireworks. Passion was rarely before felt so strongly in music.”

“I couldn’t wait to play the Bach Oboe and Violin Concerto when I was a kid.” says guest oboist Diana Doherty. “It seemed impossible then – so many notes! Nowhere to breathe! Years later, I’m still inspired by it.” Doherty reprises her ARIA Award-winning performance with Principal 2nd Violin Helena Rathbone, who describes Bach’s concerto as “achingly beautiful and a joy to play”. Doherty also brings us Vaughan Williams’ Oboe Concerto, which she calls “the very essence of English beauty, like gentle dappled sunshine on a wooded path.”

Principal Viola Christopher Moore performs Britten’s Lachrymae, “a hauntingly beautiful piece that explores everything the viola has to offer”. Britten reflects on Dowland’s song Flow My Tears, shifting between Elizabethan and 20th century sound worlds.

Matthew Hindson, known for delivering high-octane exhilaration, is rapidly becoming Australia’s most successful young composer internationally. He’s writing a new work for Principal Double Bass Maxime Bibeau.

When you hear the luscious music of Schreker, one of the most popular composers of the early 20th century, you’ll wonder why you haven’t heard more of him.

"One of the special things about the ACO is that it is a collective of soloists. In this concert, you’ll hear the individual talents of ACO Principals in repertoire ranging from the quirky virtuosity of CPE Bach to the heartbreaking sensibility of Britten’s Lachrymae. We also welcome for the first time on a subscription tour, the celebrated radiance of Diana Doherty." Richard Tognetti

Read an interview with the Principals and Diana Doherty from 2MBS Fine Music Magazine.

Read an interview with Maxime Bibeau in The Australian.