Nov

  • Thu 12 Nov, 7:30 PM
    Anita's Theatre, Wollongong
  • Sat 14 Nov, 8:00 PM
    Llewellyn Hall, Canberra
  • Sun 15 Nov, 2:30 PM
    The Arts Centre, Melbourne
  • Mon 16 Nov, 8:00 PM
    The Arts Centre, Melbourne
  • Tue 17 Nov, 8:00 PM
    Adelaide Town Hall, Adelaide
  • Wed 18 Nov, 8:00 PM
    Perth Concert Hall, Perth
  • Sat 21 Nov, 8:00 PM
    City Recital Hall Angel Place, Sydney
  • Sun 22 Nov, 2:30 PM
    Sydney Opera House, Sydney
  • Mon 23 Nov, 8:00 PM
    Sydney Opera House, Sydney
  • Mon 23 Nov, 8:00 PM
    QPAC Concert Hall, Brisbane
  • Tue 24 Nov, 8:00 PM
    City Recital Hall Angel Place, Sydney
  • Wed 25 Nov, 7:00 PM
    City Recital Hall Angel Place, Sydney
  • Thu 26 Nov, 7:30 PM
    Newcastle City Hall, Newcastle

Beethoven 4

RICHARD TOGNETTI
Artistic Director and Lead Violin
DEJAN LAZIC
Piano

DEAN
Testament
BEETHOVEN
Piano Concerto No.4
BEETHOVEN
Symphony No.4

Beethoven’s Fourth Piano Concerto begins with a moment of quiet radicalism, as the piano alone gently ushers the listener into the work. Where previous concertos were a contest between a heroic soloist and the opposing force of an orchestra, here Beethoven reconciles them in his most lyrical, personal and serene concerto. The intimacy of this concerto is the ideal vehicle for rising star Dejan Lazic, who is as adept at poetry as virtuosity.

Beethoven’s Symphony No.4 has been overshadowed by its celebrated siblings. But when you hear it, you’ll discover that the Fourth is effervescent, witty and wise. As Beethoven went on to more revolutionary experiments, one critic said, rather wistfully, “there are no words to describe the deep, powerful spirit of this work from his earlier and most beautiful period.”  

Brett Dean, one of the most acclaimed composers of his generation, has a gift for translating striking images into sound. The picture he paints in Testament is of Beethoven losing his hearing: bows skitter almost noiselessly across the strings simulating the frantic scratching of his quill, as snatches of his music surface and dissolve. The piece is a testament to the power of Beethoven’s creativity. As his hearing deteriorated he was spurred to create some of his most masterful scores, including the ones on this program.

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“[Lazic’s performance was] full of poetic, shapely phrasing and vivid dynamic effects that made this music sound fresh, spontaneous and impassioned." New York Times

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