Brahms 4 & Isserlis19 - 29 October 2013

Program

DVOŘÁK Cello Concerto
BRAHMS Symphony No.4

Artists

Richard Tognetti Director and Violin
Steven Isserlis Cello

Begin Ticket Purchase >>


The Fourth is Brahms' final and greatest symphony. Here, Brahms takes flight, as he melds the soaring sounds of Romanticism to classical structure in a constantly evolving drama.

Brahms premiered the symphony with a small orchestra of 48 musicians, which he declined to augment. We follow his lead and perform with wind instruments from Brahms' time.
 
Steven Isserlis is one of our favourite collaborators – the epitome of the intelligent and passionate cellist.   There could be no better soloist for Dvorák's ardent and much-loved concerto. Isserlis first played it as a child. "I used to think it was so joyous," he says. "As I've got older, the more tragic it seems."
 
 

The Melbourne performances of Brahms 4 & Isserlis are a co-presentation with Melbourne Festival.

 

The Melbourne performance on Sun 20 Oct features a free post-concert talk with Richard Tognetti and Steven Isserlis in conversation with Sir Nicholas Kenyon, Managing Director of the Barbican Centre in London.

Download PDF program for Brahms 4 & IsserlisDownload the program (PDF) or view online


Selected Audio

Reviews

“Steven Isserlis’ technical mastery was matched by an obvious love for the (Dvorak Cello Concerto)… The ACO’s rendition (of Brahms’ Symph..."

The Australian

Inside ACO

Backstage with Richard Tognetti: Reflections on Gallipoli

Richard got snapping backstage during #ACO15 Reflections on Gallipoli.

The post Backstage with Richard Tognetti: Reflections on Gallipoli appeared first on Australian Chamber Orchestra.

Reflections on Gallipoli: The ACO’s first ever audio-described concert

On Sunday, 15 March, we presented our first ever audio-described performance (at the Sydney Opera House, no less!). Audio-description is provided for people who are blind or have low vision; individuals using this service listen through a special headset. The … Continue reading

The post Reflections on Gallipoli: The ACO’s first ever audio-described concert appeared first on Australian Chamber Orchestra.

Reflections on Gallipoli: Çanakkale Sehitlerine

The Martyrs of Çanakkale (excerpt) If I could take the vault of heaven As if it was a woollen cloak And cover your bleeding tomb With all the planets. If I could build with April clouds A dome over your tomb, … Continue reading

The post Reflections on Gallipoli: Çanakkale Sehitlerine appeared first on Australian Chamber Orchestra.

In the press: Reflections on Gallipoli

‘Of all the centenary of Gallipoli tributes this year, few are likely to be as profound and moving as the Australian Chamber Orchestra’s Reflections on Gallipoli.’ ‘… while respecting its message of reconciliation, Carl Vine’s setting of Ataturk’s words in … Continue reading

The post In the press: Reflections on Gallipoli appeared first on Australian Chamber Orchestra.

Timothy Calnin on ‘Reflections on Gallipoli’

General Manager Timothy Calnin attended the first Sydney performance of Reflections on Gallipoli yesterday – here he shares his thoughts on the concert. Even though I have been hearing sections this program coming together over the last few weeks through the door of … Continue reading

The post Timothy Calnin on ‘Reflections on Gallipoli’ appeared first on Australian Chamber Orchestra.

Reflections on Gallipoli: Behind-the-scenes

#ACO15 ‘Reflections on Gallipoli‘ opens today in Canberra, before heading off to Sydney, Melbourne, Adelaide, Perth and Brisbane. “Turkish battle songs and traditional folk music rub shoulders with Vaughan Williams’ pastoral lament, The Lark Ascending, written with the last breath … Continue reading

The post Reflections on Gallipoli: Behind-the-scenes appeared first on Australian Chamber Orchestra.

Nigel Jamieson on ‘Reflections on Gallipoli’

Large-scale theatre specialist Nigel Jamieson took some time out of today’s rehearsal for #ACO15 Reflections on Gallipoli to chat to us about the production. One of the most thrilling moments in creating a new work, is when suddenly something that … Continue reading

The post Nigel Jamieson on ‘Reflections on Gallipoli’ appeared first on Australian Chamber Orchestra.

Reflections on Gallipoli: Fair Enemies

Quotes from those in the trenches at Gallipoli: ‘We regarded them as a fair enemy. I had no ill-feelings about them. None of us had. We were fighting them but there was no hate about it, not with any of … Continue reading

The post Reflections on Gallipoli: Fair Enemies appeared first on Australian Chamber Orchestra.

Reflections on Gallipoli: Frederick Septimus Kelly

Frederick Septimus Kelly was born in Sydney, Australia, into a well-to-do family, but moved to England when he was just 12. A natural sportsman, and especially oarsman, he won a Gold Medal for England in rowing at the 1908 London … Continue reading

The post Reflections on Gallipoli: Frederick Septimus Kelly appeared first on Australian Chamber Orchestra.

Reflections on Gallipoli: The Lark Ascending

The Lark Ascending was sketched just before Vaughan Williams left for active service in the First World War. (By some accounts, he composed the piece as he watched troops embark for France.) The experience of serving seems only to have heightened … Continue reading

The post Reflections on Gallipoli: The Lark Ascending appeared first on Australian Chamber Orchestra.

Guest stars: Reflections on Gallipoli

‘You, the mothers, who sent their sons from faraway countries wipe away your tears; your sons are now lying in our bosom and are in peace. After having lost their lives on this land they have become our sons as … Continue reading

The post Guest stars: Reflections on Gallipoli appeared first on Australian Chamber Orchestra.

Visit the Blog