Sydney Dance Company Matinee for Secondary Students

12 July - 13 September 2013

Program

PROJECT RAMEAU

RAMEAU
Excerpts from Les Fêtes d’Hébé; Hippolyte et Aricie; Platée; Les Boréades; Les Indes galantes; Pigmalion; Dardanus; Naïs; Castor et Pollux
BACH Violin Partita No.1 in B minor, BWV1002, Sarabande
VIVALDI The Four Seasons, Summer: Presto
VIVALDI Sinfonia RV739, Andante

Artists

Rafael Bonachela Artistic Director and Choreographer
Dale Barltrop Lead Violin
Sydney Dance Company

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Fri 12 Jul, 11am-12.30pm | The Playhouse, QPAC
Bookings: Email groups@qpac.com.au or phone 07 3840 7466

Fri 13 Sep, 12.30pm-2.15pm | Canberra Theatre Centre
Bookings: canberratheatrecentre.com.au

Project Rameau, a new production by Sydney Dance Company Artistic Director Rafael Bonachela and Richard Tognetti based on the music of French Baroque composer Rameau. These performances for school students will feature an introduction and behind-the-scenes discussion by ACO musicians and Rafael Bonachela, and a question and answer session at the end of the performance.

Tickets are $25, one teacher per 10 students receives free entry.

Sydney Morning Herald

"...the chemistry on the night radiated energy, joy and its own kind of wit."

 

"This was Rameau without the wigs, bristling with life and irresistible."

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Wentworth Courier

"In a fast-moving, non-stop program which lasts a little over an hour, the two cutting-edge companies open up a cornucopia of musical and terpsichorean delights...a stunning production."

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Limelight Magazine

"Bonachela’s instinctive sense of rhythm held it all together, whether going with or against the musical grain...If only we could get these two intrepid ensembles together for an annual collaboration."

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The Australian

"Project Rameau looks superb..."

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ArtsHub

"Two major companies in magnificent form...a shimmering, thrilling work."

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Crikey

"It’s not hard to see what drives the ACO to its rarefied, internationally-acclaimed reputation, given Tognetti’s contagious, electric enthusiasm. In this way, the orchestra effectively becomes part of the physical performance."

"…one can hardly complain about the presence of Antonio Vivaldi, or Johann Sebastian Bach, whose pieces were royal icing on a gorgeous, opulent gateau."
 

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