Julia Lezhneva's voice is impeccably suited to the intricacy and passion of the Baroque masters.
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Relish the melodic invention and dynamic flow of two of the Baroque’s finest composers with the ACO, directed by Richard Tognetti.
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Don’t miss the ACO's grand symphonic event of the year. Features Beethoven’s joyful Seventh Symphony directed by Richard Tognetti, and one of the most popular concertos of our time, Rodrigo’s Concierto de Aranjuez, performed by virtuoso guitarist Slava Grigoryan.
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The Australian Chamber Orchestra is thrilled to return to Emanuel Synagogue, for a second inspiring performance in its elegant surrounds.
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As the Barbican Centre’s first Artist-in-Residence at Milton Court Concert Hall, Richard Tognetti takes London by storm in 2016 and 2017, appearing as solo recitalist, genre-defying performer, pedagogue and of course, as first amongst equals with the ACO.
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The ACO’s journey through Beethoven's late quartets culminates with a presentation of the composer’s own favourite, String Quartet Op.131, the epitome of his later style: expansive, visceral, and utterly affecting.
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Directed by Richard Tognetti, this enchanting program includes two ever-popular and immediately appealing works by Bach, while two concertos from Vivaldi will invite the ACO’s violins and cello to take energetic flight.
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Sex. Adultery. Betrayal. Murder. Tolstoy’s novella The Kreutzer Sonata has it all. And Janáček’s musical rendering of this scandalous tale serves as the thread for this innovative opening to the 2017 season.
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With a blend of fine art, live music and stunning views, this weekend-long festival in the Yarra Valley, only an hour from Melbourne, features intimate concerts directed by Richard Tognetti.
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With Richard Tognetti at the helm for these performances, you will experience his vision of Bach’s magnificent writing for violin – a vision that has earned him three consecutive ARIA awards for his recordings of Bach’s violin works.
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In a group the size of the ACO, there is nowhere to hide. It’s an ensemble of soloists. This program showcases the extraordinary talents of the ACO’s musicians.
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In 2015, Uluru provided an inspirational setting for the inaugural ACO Uluru Festival – a partnership between the ACO and Voyages Ayers Rock Resort. We are delighted to once again present the weekend festival in June 2017, led by Richard Tognetti.
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An epic cinematic and musical collaboration between the ACO and BAFTA-nominated Sherpa director Jennifer Peedom.
Building on the achievement of the ACO’s The Reef, Mountain reflects on the beauty, diversity and fragility of these timeless natural monuments: symbols of spirituality; haven from man-made devastation; essential to the planet’s eco-system.
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Crying – whether tears of happiness or grief – forms the central theme of this inventive program of music by Schubert, Dowland and Britten, as Swedish violist Malin Broman steps in as Guest Director of ACO Collective.
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Pianist Kristian Bezuidenhout is one of the world’s leading performers of Mozart. Alongside Richard Tognetti and an intimate ACO ensemble, Kristian takes on Mozart’s Piano Concerto No.13.
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Britain’s leading clarinetist, Matthew Hunt, joins Pekka Kuusisto and ACO Collective as the soloist for Brahms’ soulful Clarinet Quintet.
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Norwegian violinist and Artistic Director of the Arctic Philharmonic Chamber Orchestra, Henning Kraggerud has built a reputation as the world’s leading interpreter of Grieg.
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The world’s greatest living flautist Emmanuel Pahud is back! Twelve years after his Australian debut, one of Richard Tognetti’s great musical friends returns to perform with the ACO.
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Souvenir de Florence is Tchaikovsky’s exuberant postcard from an Italian summer holiday, brimming with carefree energy and lush melodic fancy. Tchaikovsky’s ability to craft a heart-tugging melody remains hard to beat.
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The last time the ACO performed Bach’s Christmas Oratorio critics, audiences and the Orchestra themselves considered it the concert of the year. In 2017, the Choir of London join the Orchestra again for this wonderfully festive oratorio.
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Pekka Kuusisto and ACO Collective perform Mozart’s and Dvořák’s most famous serenades, both written explicitly for evening performance, followed by a nocturne, literally “for night time”.
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