Please type your search below:
-
ACO at 50: 50 Years of ACO Brochures
Enjoy reminiscing over vintage brochure covers, program images and concert posters from the Australian Chamber Orchestra's 50-year history.
Page -
ACO 2025: Meet Pianist Alexander Gavrylyuk
Alexander Gavrylyuk is a world-renowned concert pianist. We get to know him ahead of his performance of Shostakovich and Gershwin with the Australian Chamber Orchestra.
Page -
Years of Passion: An interview with Richard Tognetti
As the Australian Chamber Orchestra celebrates its 50th anniversary, Artistic Director Richard Tognetti is marking 35 years of shaping it into one of the world’s most exciting ensembles.
Page -
A Cellists' Cellist: our musicians on Abel Selaocoe
ACO cellists Timo-Veikko 'Tipi' Valve, Melissa Barnard and Julian Thompson share their excitement and anticipation about our upcoming tour with fellow cellist Abel Selaocoe.
Page -
ACO 2025: Meet Theremin Virtuoso Carolina Eyck
Carolina Eyck is a theremin player, vocalist and composer. She has performed concerts all over the world and has revolutionised how the theremin is played.
Page -
ACO 50: Subscriber Stories – Margaret Eva
Brisbane Subscriber Margaret Eva has had an enduring love of chamber music ever since she was a little girl.
Page -
ACO 50: Who's Most Likely To...
They have performed together for over 20 years, but how well do the members of the ACO cello section know each other?
Page -
7 great pop songs that feature the theremin
From The Beach Boys to Portishead, here are some of the greatest bands to feature the iconic ‘invisible’ instrument in their songs.
Page -
Best Theremin Cameos in TV
From Severance to The Simpsons, the theremin has popped up unexpectedly in TV shows and films ever since its invention. Here are some of the most memorable appearances of the unusual electronic instrument on screen.
Page -
How to Write New Music for the Theremin
Australian composer Holly Harrison on what it's like composing for a theremin virtuoso, how to avoid writing 'clichés' for the theremin, and what it feels like to write a new commission for the Australian Chamber Orchestra in its 50th year.
Page
