News

Stuart Skelton and Catherine Carby

23 April 2024 Music Performances

The Heldentenor and the Mezzo-soprano

Silence, mind-maps and discipline: how singers Catherine Carby and Stuart Skelton manage the fierce emotional and physical challenges of performing Mahler’s monumental Song of the Earth.
Gustav Mahler

22 April 2024 Music Tours

An Encounter in Five Movements

The music of Gustav Mahler creates meaning through a continuous series of startling transformations. Playwright Daniel Keene experiences his music live for the very first time.
8I6A0153

17 April 2024 Music Performances

Reflections on Mahler in Edinburgh

The Australian Chamber Orchestra performed at the renowned Edinburgh International Festival in 2016. Artistic Director Richard Tognetti and ACO Principal Violin Satu Vänskä reflect on the experience before an Australian tour of the same music.
Penrith Youth Orchestra

28 March 2024 Music News

Dispatches from Penrith Youth Orchestra

Earlier this month, Australian Chamber Orchestra musicians took part in an inspiring and rewarding weekend mentoring Penrith Youth Orchestra Academy students.
Maja Savnik

28 March 2024 Musicians

Farewell to Maja Savnik: In Pictures

After nine years performing as a much-loved member of the ACO, Maja is concluding her time with the Orchestra to return to Europe with her young family. We're looking back at some of the wonderful memories she has shared with her colleagues over the years.
Painter Julius Schmid's Beethoven on a Walk

21 February 2024 Tours Music

A Skyful of Beethovens

Beethoven is perhaps best known for his “heroic” style, which reflects the wars of his time, but his work has many modes from improvisatory explorations to Romantic introspection. Nicholas Mathew explores the role of the piano in these works. 
Kristian Bezuidenhout

21 February 2024 Musicians Tours

Kristian Bezuidenhout Interview

Kristian Bezuidenhout – who returns to the Australian Chamber Orchestra to guest direct the ensemble for the first time – says he can find an expressiveness and richness in early pianos that he can’t find on contemporary instruments.